This film features the whole of the performance from 1976 as the main item, which is supplemented as bonus features by two tracks from her concert in 1987 and four from her final show in 1990. This is the definitive Nina Simone live experience.
Even for a label that likes to catch veteran jazz stars very late in their careers, Telarc nearly outdoes itself by rounding up Harry "Sweets" Edison (81), Clark Terry (76), Frank Wess (75) and Junior Mance (68) and recording them in a West Side New York nightclub a stone's throw from Lincoln Center. Though the flesh is a little weak at times in the trumpeters, the spirit is fortunately more than willing, and plenty of their inimitable trademarks - Edison's terse repeated notes and Terry's slippery phrases - come through in this swinging, blues-dominated mainstream session. Wess is in fine shape on flute and tenor, and pianist Mance contributes a lot of sturdy, stirring, two-fisted blues and a lovely, searching interpretation of "Emily." Edison wrote half of the eight songs on the disc - three blues (including his standard "Centerpiece") and a pleasing token bossa nova ("Sweets' Bossa")…
Longtime friends and collaborators Caetano Veloso and David Byrne joined forces for a special Carnegie Hall concert broadcast on National Public Radio in the spring of 2004. Eight years later, Live at Carnegie Hall is released, containing highlights from this stripped-down, primarily acoustic meeting of one of Tropicalia's biggest artists with one of the pillars of art rock. Sequenced in the order the concert was played, the disc begins with a solo set by Veloso ending with his cover of the Talking Heads' "The Revolution" to segue into Byrne's set. While not exactly a hushed affair, there's a quietly breezy feeling throughout the recording. Veloso's incredibly smooth voice is the definition of Brazilian pop: laid-back and welcoming at all times.
In 1998, Collectables released Burnin'/Confessin' the Blues, which contained two complete albums – Burnin' (1970, originally released on Atlantic) and Confessin' the Blues (1976, originally released on Atlantic) – by Esther Phillips on one compact disc…
Recorded during twelve separate performances of John Zorn's "Cobra" during 1992, "John Zorn's Cobra: Live at the Knitting Factory" presents an extraordinary mix of performances, with different stagings by different groups and an absolutely stunning array of performers and environments.
Richard Bona, one of most respected jazz bass players from Cameroon often tours with own group playing Cuban and native African rhythms. Here's example of Bona with Mandekan Cubano group playing live at Jazz a Vienne 2012, one of most important jazz festivals in Europe since 1981.