Love

Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing–until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source.

Hong Kong, 1962: Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same day. Their encounters are polite and formal—until a discovery about their respective spouses sparks an intimate bond. At once delicately mannered and visually stunning, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments in time.

Unjustly neglected, It's Love I'm After is a delightful romp that provides an excellent showcase for the often equally neglected comedic talents of its trio of stars. While Love falls just shy of true classic status – the screenplay is slightly off the mark in a few places and its dialogue occasionally lacks the effervescent sparkle that is a requirement of the genre – it's still a little gem of a picture with an abundance of laughs. Fleetly directed by Archie Mayo, Love's greatest assets are its players…..

Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.

Betty Loh Ti stars as a beauty that disguises herself as a boy to get an otherwise forbidden education. This gender-bender role-playing is traditional when it comes to Chinese opera, yet there is nothing old fashioned about the superlative screen treatment given to this all-time classic.

En Kärlekshistoria (A Swedish Love Story) depicts the love between the two teenagers Annika and Pär. The film describes all the uncertainty, fear, tenderness and joy that they experience together. In the background is their parent's reality, the lost generation of the Swedish welfare state. Their lonely dreams about the future is lost in the everyday routine with the auto repair shop and refridgerator agency.

Love is life, life as it is. Not every love story is a fairy tale. After a dramatic wedding feast, unusual love stories unfold towards unexpected endings: a brother and sister in love caught by the mother, a married painter falls for his young life drawing model of same sex, an intimacy between a dance school teacher and his wealthy but senior student, a lesbian couple of which one has role-play paranoid, a dreadful love triangle ending with the girl being beheaded…
"Love Actually… Sucks!" celebrates love that no one care but real, for life is love, love as it is.