Since the late 90s, Amorphous Androgynmous AKA The Future Sound Of London AKA Garry Cobain and Brian Dougans have been weaving together two-hour broadcasts of their favourite records that could be loosely classed as 'Cosmic Space Music'. After ten years of messing with our heads via the wireless, they now pick their choicest mind-melting moments on what promises to be a fine series of double CDs. It's a collection that perfectly runs the gauntlet from kitsch (Lord Sitar's I Am The Walrus) to uber cool (Miles Davis or Can). Donovan, Osibisa, Can, Miles Davis, Mahavishnu Orchestra, Hawkwind and many more.
Jazz fusion instrumental music with progressive and alternative rock overtones. A vast landscape of influences including Jazz, Rock, Modern Classical, and Indian. Superb fusion from some legendary performers, Steve Hunt, producer, engineer, who recorded the album in his own recording studio,"The Kitchen"also played keyboards, piano, and organ (formerly with Allan Holdsworth, Stanley Clarke, and Billy Cobham). New Jersey guitar legend Pete McCann, was in the well known group The Mahavishnu Orchestra Project, which actually was favorably recognized by John McGlaughlin (Mahavishnu Orchestra founder) himself . Steve Hunt and Pete performed together in that project. Other musicians include Steve Michaud, drums, Guitarist Prassanna ("Slum Dog Millionaire" soundtrack contributor) on title track.
HANDS were an American prog-rock band who existed from 1977-1980 and became known from a couple of archival releases of their recordings several decades later…
As of 1976, Jean-Luc Ponty's variations on the Mahavishnu Orchestra theme were still fresh and imaginative, cast in a distinctively different, more lyrical, more controlled framework. For Imaginary Voyage, Ponty's instrumental lineup is identical to that of Mahavishnu – electric violin, guitar, keyboards, bass, drums – but he turns the emphasis on its head, with all commands coming directly from the violin (his) and less competitive crossplay emanating from his colleagues. For starters, "New Country" is a lively jazz-rock hoedown, one of those periodic C&W side trips that some fusioneers attempted for a lark, and "The Gardens of Babylon" is a wonderfully memorable tune, the beginnings of which grow out of "New Country." The last half of the CD is taken up by the title composition, a strong four-part suite that hangs together with barely a sag in interest over its 20-minute span.
Five Times Surprise brings together a volatile mix of longtime compatriots and newly forged relationships. The distinguished improvisers all boast exceptionally diverse resumes. More than finding common ground, they reveal a vast universe of possibilities fueled by creative conflagration and genre blurring. “We’re improvisers who can walk into a room and create something together,” says the project's original instigator Henry Kaiser, who then listed the salient qualities of his fellow players here: the ability to listen, kindness, generosity, and—rare in this electric realm—a sense of humor. All those factors were at work on this new recording.