These Dreams Will Never Sleep: The Best Of Graham Parker 1976-2015 includes 90 tracks across six CDs, a compilation live DVD, a 36-page hardcover book featuring a new interview with Parker and an overview written by Holly A. Hughes, plus a poster and three postcards.. These Dreams Will Never Sleep, The Best Of, 1976-2015 celebrates the incredible 40 year career of one of Britain's most seminal songwriters - Graham Parker. The 124 track box consists of three anthology discs with some of Graham's best loved recorded work as a solo artist and with The Rumour - one of the UK's pioneering pre-punk bands. The Live At The BBC 19 track disc includes very rare, choice picks from Graham Parker & The Rumour's 1979 Live At Hammersmith Odeon show, and Live From BBC Sight and Sound in 1977. Discs five and six are Live From The London Forum, these never before heard recordings are taken from Graham Parker & The Rumour's last ever live show in 2015, and also feature the legendary Rumour Brass Section for the first time since 1980.
The Pacific Age is the last OMD album to feature founding member Paul Humphreys (although The Best of OMD does collect a pair of subsequent singles). With producer Stephen Hague returning and guests Graham and Martin Weir elevated to full-time members, OMD aggressively targets the American pop market cultivated with Crush and the Top Ten single "If You Leave." With the Weir's horns and a trio of female backing vocalists, the music on The Pacific Age sounds larger than life (the opening "Stay" in particular), a trait common to popular music in the mid-'80s.
The Pacific Age is the last OMD album to feature founding member Paul Humphreys (although The Best of OMD does collect a pair of subsequent singles). With producer Stephen Hague returning and guests Graham and Neil Weir elevated to full-time members, OMD aggressively targets the American pop market cultivated with Crush and the Top Ten single "If You Leave." With the Weirs' horns and a trio of female backing vocalists, the music on The Pacific Age sounds larger than life (the opening "Stay" in particular), a trait common to popular music in the mid-'80s. The added production value and better material represent an improvement over Crush, despite the opinion of some that The Pacific Age is a bland sellout. It's true that tracks like "(Forever) Live and Die," "Shame," and "Goddess of Love" are more style than substance, but it's a style that plays to OMD's mastery of melody and mood…
For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America.