Nils Frahm

More than the compilation series, more than the lovingly organised events, more than the radio shows: "Le Café Abstrait" is a philosophy of lifestyle: relaxed and culturally open-minded.
It was "Le Café Abstrait" and its mastermind, Raphaël Marionneau, who pioneered chill-out culture at Hamburg's internationally renown Mojo club in 1996: "Le Café Abstrait" reinvented nightclubbing in a new relaxing way. Once a month, stylish sofa installations and light projections transformed Mojo's dancefloor into a gigantic living room. There, up to 400 laid-back nightlife connoisseurs indulged in relaxation and Raphaël Marionneau's very special downtempo music selections. A new lifestyle was born: the couch culture…

An album the majority of whose contents consists of harp arrangements of music by Philip Glass might seem a bit arcane for a major label, but it seems that Sony knows what it is doing here. The Glass Effect double album is one of those releases that succeed on two different levels, an explicit one and one that, although not mentioned, is perhaps even more important. The former level here is the one denoted by the title, as Meijer picks up the rather neglected theme of Philip Glass' influence by offering, on disc two, a group of works by younger composers who follow Glass in varying degrees but who, it's safe to say, wouldn't have the styles they do without Glass having gone before. Much of the album consists of arrangements by Meijer herself, and these include, at the end, a remix of music from Koyaanisqatsi that's delightful and would be spoiled by description. But there's also solo harp music: sample the Suite for Harp by progressive rock musician Bryce Dessner, who certainly seems to have absorbed Glass' style far enough to make it his own.

Rich in contemporary colour and contrast, LIFE is inspired by the Norwegian violinist’s experience of becoming a mother. Known for her vibrant and imaginative programming as well as her passionate and virtuosic playing, Samuelsen has created a kaleidoscopic musical reflection of some of the emotional discoveries that come with parenthood. The album presents music by Olivia Belli, Bryce Dessner, Ludovico Einaudi, Nils Frahm, Jóhann Jóhannsson, Mário Laginha, Hania Rani, Max Richter and Steve Reich, with a dash of Schubert also thrown into the mix. Samuelsen is joined on the album by a small group of fellow musicians, including the string players of Scoring Berlin, conducted by Jonathan Stockhammer.