Nine Inch Nails multihyphenates Trent Reznor and Atticus Ross scored a pair of Oscar nominations on Monday, for the score of David Fincher’s Mank, the 1930s-set biopic about Citizen Kane screenwriter Herman J. Mankiewicz, available on Netflix; and Pixar’s jazz-inspired animated film Soul, a nomination that they share with Jon Batiste.
Intruder is the 21st solo album from the iconic and influential Gary Numan. Intruder sees Gary reunite with producer Ade Fenton, who previously produced four critically acclaimed albums for Numan: Jagged, Dead Son Rising, Splinter and Savage.
Big Mess marks Elfman's first solo collection in more than thirty years, but it's no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.
Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history – as he would later illustrate with his series of historical albums – that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles…
One has to give credit to an '80s new wave musician who can adapt and create contemporary-sounding music. There are icons from that era who continue to release new recordings - Depeche Mode and the Cure, for example - but don't evolve musically; the sound is unchanging as if they were still back in the decade. This is not a bad thing, however; core listeners are usually who buy these artists' newly released albums and they don't generate new fans. That said, hats off to '80s Brit popster Gary Numan, best known for the hit "Cars," who offers up a modernized industrial-goth set in Pure. The album can comfortably sit alongside Marilyn Manson and Nine Inch Nails on store shelves. Pure doesn't drive like the industrialized adrenaline rush that is, say, Orgy, but the tracks' lingering and creepy pace leaves behind a different kind of impact - it's more haunting than relentless…
Killing Joke are an English rock band from Notting Hill, London, England, formed in 1978 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass). The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often bearing Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced many later bands and artists, such as Metallica, Nirvana, Nine Inch Nails and Soundgarden.
Arguably Richard James' first full-length CD, comprised of various EPs from the early '90s when he was experimenting on his homemade electronic gear and cranking out material that surpassed the work his peers were putting out. Few others knew how to bend the rules of electronic music quite the way James does, and this skill bleeds into present day because he sets the standard for what is always on the horizon. He can turn an atonal collection of sounds into something that transcends the dancefloor, and therefore many of the pieces here require the listener's full attention. His imitable and straightforward track "Digeridoo" finally gets to CD not once but twice, both as the original recording and later as a live version recorded in Cornwall in 1990…