THE ANALOGUE YEARS presents a 50-Album overview across 54 CDs, in original jackets, of the celebrated international recordings that emerged from the London-based record label in that pre-digital era.
La Discotheque Ideale Classique brings together the masterpieces of 47 composers (Bach, Beethoven, Chopin, Handel, Ravel, Wagner …) performed by the greatest artists of the prestigious Erato-Warner Classics catalog. The 100 CDs of the box, which contain more than 100 hours of listening, allow you to rediscover the essential works of the classical repertoire.
2007 release of a mammoth box set of 50 CD's with key recordings from the Angel/EMI Music classical catalog. Performers include Yehudi Menuhin, Jean-Pierre Rampal, Quatuor Hongrois, Heutling Quartet, Erich Leinsdorf, Jean-Philippe Collard & Augustin Dumay & Frdric Lodon, Christian Zacharias, Paolo Bordoni, Wolfgang Sawallisch, Geoffrey Parsons, Lucia Popp, Barbara Hendricks, Radu Lupu and many more.
Johann Wenzeslaus Kalliwoda, born in Bohemia, was one of the few composers whose symphonies got traction in Germany in the years after Beethoven's death. His Symphony No. 1 in F sharp minor has received occasional performances down through the years, and conductors and scholars have begun to unearth his other six symphonic works. Even Schubert wondered what there was left to accomplish in the symphonic genre after Beethoven. He eventually figured it out, and Kalliwoda, in his Symphony No. 5 in B minor, Op. 106, seems to be thinking along some of the same lines as Schubert in his Symphony No. 8 in B minor, the "Unfinished."
Schubert’s musical ideas at this time sometimes bear a family resemblance to themes by Mozart, Haydn or Beethoven, but nevertheless his own style was already precociously developed. One would not mistake his Fifth Symphony of 1816 for the work of any other composer, though its difference in character from the Fourth Symphony is equally striking. Here, omitting clarinets, trumpets or timpani, Schubert uses a reduced orchestration in comparison with his previous symphonies.
The Karajan Official Remastered Edition comprises 101 CDs across 13 box sets containing official remasterings of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, and which are now a jewel of the Warner Classics catalogue.
For many, Herbert von Karajan (1908-1989) – hailed early in his career as ‘Das Wunder Karajan’ (The Karajan Miracle) and known in the early 1960s as ‘the music director of Europe’ – remains the ultimate embodiment of the maestro.
If you want to check a symphonist's freshness and originality, go to a trio section. It always marks out the jobsworths. By that test Louise Farrenc well deserved her prominence as pianist, composer and teacher. All her symphonies date from the mid-1840s, when hardly anybody else in Paris wrote in the form, and though acclaimed they were never published. Yet they evolve purposefully from a Hummel-Mendelssohn style to something uncannily like Schubert, both in harmonic quirks and in the prominence of the woodwind.