It says much for the intelligence controlling this performance of the Tchaikovsky Piano Trio that only the final return of the grand lament churns and heaves as so much of the playing elsewhere could so easily have done in the wrong hands. Throughout the long, generous first movement of Tchaikovsky’s memorial to Nikolai Rubinstein, Kempf reins in his grander manner to keep the argument on the move; French violinist Pierre Bensaid and Armenian cellist Alexander Chaushian may not be naturally big players, but they know how to spin a line and lift it when necessary into the higher life. Everything tells when it should, above all the one truly inspiring melody in Tchaikovsky’s most personal vein which eases the tension of a keenly sprung development and fades beautifully into the most sensitively handled coda I’ve heard on disc.
The second album by the popular piano trio "Tsubaki Trio". Their debut album "Mendelssohn & Brahms: Piano Trio No. 1" became a bestseller and was selected as "Record Geijutsu Magazine's Special Selection" for its lustrous and fragrant cantabile that touched the heartstrings of listeners. This album is a complete turnaround, featuring the masterpieces of Tchaikovsky and Shostakovich, who represent Russian music, and their profound and emotional ensembles are a stunning attraction.
Highly praised for his orchestral works, Tchaikovsky never reached great popularity as a chamber music composer but, although his chamber output does not comprise many titles, it does includes works of distinct value, such as the beautiful but little known Trio for violin, cello and piano, Op.50 which we are featuring on this release. The work was composed in memory of his friend Nikolaj Rubinstein, who had passed away at the age of 46 and was considered at the time one of the greatest European pianists. It was premiered in Moscow on 30 October, 1882.
Ernest and persuasive while it's spinning, the better qualities of this 2006 recording of Tchaikovsky's Piano Trio dissipate soon after the disc stops. With pianist Yefim Bronfman, violinist Gil Shaham, and cellist Truls Mørk as partners in the proceedings, the playing itself is first-class. Each is a highly regarded virtuoso, and collectively they form an agile but cogent chamber ensemble. Interpretively, their focus is on expressivity.
Pyotr Ilyich Tchaikovsky's Trio in A minor, Op. 50, was written in Rome between December 1881 and late January 1882. It is subtitled À la mémoire d’un grand artiste [In memory of a great artist], in reference to Nikolai Rubinstein, his close friend and mentor, who had died on 23 March 1881. It is scored for piano, violin, and cello.
This version of the Tchaikovsky measures up extremely well against its competition; moreover it is (like all chamber recordings from this source) very well balanced. Pianist Stefan Mendl is able to dominate yet become a full member of the partnership throughout. The second movement's variations open gently but soon develop the widest range of style, moving through Tchaikovsky's kaleidoscopic mood-changes like quicksilver and often with elegiac lyrical feeling.