English band Blueboy were part of the Sarah Records roster, making a style of indie rock that was usually toned down and emotionally nuanced but sometimes shot through with enthusiastic jangle. A strict label policy for Sarah was that singles were not included on LPs, but were a separate space for songs to be experienced with exclusive focus. Blueboy took this edict to heart, releasing eight singles in addition to three studio full-lengths during a run that lasted the majority of the 1990s. The compilation Singles 1991-1998 collects all of the band's non-album singles and their respective B-sides, presenting them in chronological order and all in the same place for the first time.
Of the literally dozens of memorable bands that emerged from the British Beat scene in the early to mid-'60s, the Zombies were one act that stood out: there was a smart, slightly arty aura to their clever and beautifully crafted melodies, superb vocal harmonies, and a distinct instrumental sound, highlighted by Rod Argent's keyboard work, often using electric piano to memorable effect. Even when the Zombies rocked out or sunk into a tough R&B groove, they could convey a keen intelligence along with their energy, and their more introspective moments gave them a sound and feel that was unique…
Like a majority of up-and-coming British bands of the 1960s, the Zombies made nearly two dozen BBC Light and Radio 1 transmissions between the fall of 1964 and the spring of 1968. The 29 cuts hail from a variety of those programs. In many cases their alternate persona as a consummate and immensely soulful cover combo is likewise illuminated…
2003 restored & remastered reissue of 1985 compilation, that's unavailable domestically, featuring 29 tracks recorded during 1964-1968, packaged in a digipak. Includes 12-page full color booklet with photos & other memorabilia.
Like a majority of up-and-coming British bands of the 1960s, the Zombies made nearly two dozen BBC Light and Radio 1 transmissions between the fall of 1964 and the spring of 1968. The 29 cuts hail from a variety of those programs. In many cases their alternate persona as a consummate and immensely soulful cover combo is likewise illuminated. The contents are presented in a relatively chronological manner, commencing with one of the group's earliest shots (if not the earliest shot) on Saturday Club, broadcast on October 3, 1964…
After the success of the first Classics delivers the musical range of the singer-songwriters enough good material to ease a second part to compile. This time with gems of artists we missed out on some one like Sting, Cat Stevens and Lyle Lovett, and also the old stalwarts such as Leonard Cohen, Joni Mitchell and Paul Simon. The song was inspired by Mitchell's room in the Chelsea neighborhood of New York City. The inspiration for the first verse comes partly from the distinct decor of her apartment. While in Philadelphia, Mitchell and friends had made a mobile from shards of colored glass they had found in the street and wire coat hangers. VanWarmer was inspired to write Just When I Needed You Most by a devastating breakup with a girlfriend: he wrote the song six months after that breakup co-writing it with Tony Wilson of the group Hot Chocolate two years before it became a hit.