Dream 6 is actually the original name for the band that would become Concrete Blonde, comprised of future Blonde members Johnette Napolitano and James Mankey (Michael Murphy handles drumming). They released this six-song EP in France four years before their self-titled debut and there's nothing very remarkable about it…
Founding member of the Jefferson Airplane and longtime mainstay of Hot Tuna, Jack Casady was one of the first rock bass players to explore the full melodic potential of his instrument. While the underlying sound of Dream Factor is distinctly blues oriented, Casady deviates from the norm with a pair of electrifying inclusions. Guests include Jorma Kaukonen, Ivan Neville and Paul Barrere. Jack Casady has been a very important figure for the development of the electric bass, an instrument on which he developed an unmistakable timbre - rubbery and metallic - and a style that was harmonically complex and highly dramatic.
St. Vincent returns with an inspired album of her best work yet. Daddy's Home was produced by pop producer and long term collaborator Jack Antonoff. "The album was inspired by the classic records of the 70s. Stevie, Sly, Stones, Steely Dan, Chords, Groove. The days when sophisticated harmony and rhythm didn't sound heady - they just sounded, and felt good. Lots of guitar. But warm sounds, not distortion and chaos. Hopefully a turn nobody will see coming" - Annie Clark.
With his second post-millennium album in just two years, Mark Knopfler has already equaled his meager (non-soundtrack) output for the '90s. And while he isn't reinventing himself, The Ragpicker's Dream is a pleasant, classy, often inspired effort whose unassuming charms are best appreciated after repeated listenings…
With his second post-millennium album in just two years, Mark Knopfler has already equaled his meager (non-soundtrack) output for the '90s. And while he isn't reinventing himself, The Ragpicker's Dream is a pleasant, classy, often inspired effort whose unassuming charms are best appreciated after repeated listenings…
The Ragpicker's Dream is Mark Knopfler's third solo album, released in 2002. It is a collection of songs written from the point of view of poor but dignified people, struggling to get by in life, often enjoying small triumphs. Knopfler does not play the acoustic guitar as much as he used to, but gives a folk imprint to the whole album. The first song, "Why Aye Man", was used as the theme tune for the third series of Auf Wiedersehen, Pet which first aired in 2002 and the album contains numerous other references to North East England, including the village of Tow Law on "Hill Farmer's Blues".