Sidney Bechet, the first great jazz horn soloist to be featured on records, was a remarkable soprano saxophonist and clarinetist. He dominated ensembles, often taking over the role of a trumpet or cornet, and was such a dazzling soloist that he ended up being the favorite musician of both Duke Ellington and John Coltrane. On this three-CD set, Mosaic Select has included some of the highlights of Bechet's recording career, although not delving into his later Paris years or his much-reissued association with the Victor label.
"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.
Ringo Starr defined his solo career through his collaborations, scoring his first big hit with the assistance of his fellow Fabs and later sustaining himself through his All-Starr Band, so his decision to produce 2010’s Y Not on his own appears to be a big deal…
Featuring seven original studio albums and two discs of rarities, ‘Sensational Sweet (Chapter One: The Wild Bunch)’ is set to be the most thorough account of glam icons Sweet yet. Fully documenting the classic line up (Andy Scott, Steve Priest, Mick Tucker and Brian Connolly) the nine disc set includes 1971 debut studio album ‘Funny, How Sweet Co Co Can Be’ and the five following album…
In the 1970s, Bessie Smith's recordings were reissued on five double LPs. Her CD reissue series also has five volumes (the first four are double-CD sets) with the main difference being that the final volume includes all of her rare alternate takes (which were bypassed on LP). The first set (which, as with all of the CD volumes, is housed in an oversize box that includes an informative booklet) contains her first 38 recordings. During this early era, Bessie Smith had no competitors on record and she was one of the few vocalists who could overcome the primitive recording techniques; her power really comes through.
Pure and simple genius from trumpeter Charlie Shavers – a player with a sweet tone and a fluid groove – stepping out here with great accompaniment from pianist Ray Bryant! The CD brings together work from the albums Charlie Digs Paree and Charlie Digs Dixie – both originally recorded for MGM Records in the late 50s, and done in a clean, uncluttered style that really brought a strong focus to Shaver's solos, but also gave some excellent rhythmic support from Bryant – working here at the height of his early powers, in a mode that's clearly relaxed enough to get with the spirit of each different session.