Jazz

This is the third consecutive "Euro-Jazz" CD compilation produced by Jazz & Tzaz Magazine (Greece), featuring a large proportion of the groups and musicians that will participate in this year’s concerts of the 4th European Jazz Festival in Athens. Creative music and musicians from all over Europe give an integral scope of a special kind and variety, and a special feeling of contemporary jazz in Europe. This year’s festival is enriched by the participation of the new European Union members from Central and Eastern Europe. Jazz & Τζαζ Magazine would like to thank all European Embassies and Cultural Institutes (plus the Municipality of Athens) for their kind and helpful collaboration in making this CD, as well as all the musicians and record labels involved.

Zagreb Jazz Quartet - was among the first significant jazz ensembles in Croatia. It was founded in 1959.Soon the quartet became famous, home and abroad, for its distinctive art of chamber music and folk elements which were included in the compositions.

While the Norwegian jazz scene has been pursuing its own course for decades, the period of 1996-1997 represented a significant watershed, a milestone where an entirely new kind of music emerged, linked to jazz but distanced considerably—some might say completely, but they'd be mistaken—from its roots in the American tradition. Three seminal and groundbreaking albums were released within a year of each other: trumpeter Nils Petter Molvær's Khmer (ECM, 1997); noise improv group Supersilent's 1- 3 (Rune Grammofon, 1997); and, beating the others by a year, keyboardist Bugge Wesseltoft's aptly titled New Conception of Jazz (Jazzland, 1996). All three explored the integration of electronics, disparate cultural references, programming, turntables and—especially in the case of Supersilent, the most avant-garde of the three— noise, to create aural landscapes that were innovative, otherworldly and refreshingly new.