Les Vepres

This is a relatively new venture for the outstandingly imaginative recording outfit that is Opera Rara. The label's fifty-fourth recording sees them venturing on an uncompleted work by Donizetti, the composer they love the most. The composer had decamped from Naples to Paris when the censors, on the king’s personal instructions, banned his opera Poliuto.

This "fiesta" is in honor of the Virgin, and contains music by Roque Jacinto de Chavarria, a Brazilian Baroque composer (1688-1719), Juan de Araujo (Chavarria’s teacher) and others. Don’t let their unfamiliarity and the unfamiliarity of the other composers/arrangers on this CD put you off–all the music is flavorful, solid, Baroque fare, and much of it is rhythmically propulsive with an exciting Latin beat. Musicologist Bernardo Illari has put it all together to create a thrilling, vastly entertaining, and unique experience. It winds ups as a veritable pageant, beginning with a drummed entry into the cathedral, followed by the polyphonic sections alternating with purely instrumental ones and some nice monophony as well. Needless to say, Garrido leads his large instrumental and vocal forces with verve and understanding.

Nassim Maalouf - Improvisations Orientales (1994) {Club Du Disque Arabe ‎AAA116}
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© 1994 Club Du Disque Arabe ‎| AAA 116
World / Arab Music / Jazz / Classical / Microtonal Music / Quarter-Tone Trumpet

My recent review of Ibrahim Maalouf's "Diasporas", made me search for his father's Nassim Maalouf's "Improvisations Orientales" from 1994, the first solo trumpet CD with his quartertone trumpet, and of which I now found a copy. For this trumpet he added a fourth valve, half the length of the second valve, which is played by the index finger of his left hand. On this CD he demonstrates how Arabic scales or "maqamat" can be played with the trumpet. But the record brings more than just a demonstration. It brings music of a purity seldom heard.

Documenting more than a hundred years of Italian operatic music in France, Benjamin Bernheim’s new album Boulevard des Italiens. Music stretching from Spontini’s La Vestale to Mascagni’s Amica – all sung in French – receives gold-star treatment from Bernheim, a tenor ideally placed to sing this repertoire in his native language. As he explains, “The aim was really to show the history of the French language in opera houses in Paris by way of these Italian composers who brought their pieces there. With the Opéra Garnier at one end, and the Opéra-Comique at the other, the Boulevard des Italiens is where it all happened.”

Sooner or later every aspiring Italian composer of worth wanted to make his debut at the Paris Opéra. The 1830s and 1840s were its golden age under the management of Veron. The musical pillars of the Paris establishment were Auber, Meyerbeer and Halévy. Together they developed opera to greater complexity and to a scale that had not been seen before.

Robert J Farr

Rosa Ponselle - The Columbia Acoustic Recordings (1992) {2CD Set Pearl GEMM CDS 9964 rec 1918-1923}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 444 Mb | MP3 @320 -> 377 Mb
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© 1918-23, 1992 Pearl / Pavilion Records | GEMM CDS 9964
Classical / Vocal / Opera / Historical

Those early Ponselle records have unique qualities. She was at the age of the characters she was portraying, in her impulsiveness (incredibly controlled by technique and taste) singing every note and emotion with the freshness of youth in life's spring. This with the most glorious voice that ever came from any woman's throat in the Italian repertory, with a precocious sense of line, style, and emotional honesty…