Paul Wertico

Picking up where Still Life (Talking) leaves off (instead of throwing listeners a curve ball like Song X), the equally triumphant Letter from Home stresses Brazilian elements with superb results. While a number of these treasures including "Beat 70," "Have You Heard," and "Every Summer Night" are light and accessible enough to have enjoyed exposure on some smooth jazz stations, Letter contains the type of depth and honesty that's sorely lacking in most smooth jazz. Metheny has always known the difference between light and lightweight, and even at his most delicate, he avoids entering "Muzak" territory.

The Rarum series on the ECM label is unique in that it issues "best-of" compilations picked by the artists themselves. While this can be a double-edged sword (oftentimes what an artist and his or her own fans enjoy are two different things), in this case it turns out to be a blessing. Metheny is obviously a fine judge of his own work, both from artistic and popular points of view. The selections are accompanied by an album-by-album overview by Metheny in the liner notes.

The Falcon and the Snowman is an album of original music for the soundtrack of the Orion Pictures film of the same title, composed and co-produced by Pat Metheny and Lyle Mays. The music is performed by the Pat Metheny Group with occasional orchestrations for strings. The exceptions are a male chorus featuring a young alto which bookends the album and "This Is Not America," a collaboration with David Bowie, credited as producer and co-composer, who performs lyrics for an arrangement of the theme heard in the track "Chris."

Reflecting on the inspiring spiritual presence of John Coltrane, Ruby Bridges (the first student to desegregate an all-white New Orleans Elementary School in 1960), and spiritual writer and social activist, Thomas Merton, Chicago guitarist John Moulder composed this set of music in celebration of their ongoing influence. 'Earthborn Tales of Soul and Spirit' features saxophonist Donny McCaslin and trumpeter Marquis Hill, along with a cast of Moulder's longtime musical colleagues, including drummer Paul Wertico, bassists Steve Rodby, Larry Gray & Eric Hochberg, and others. 'The radiant, life-affirming glow of this music is unmistakable.'

As one of the pioneers of jazz-rock – perhaps the pioneer in the ears of some – Larry Coryell deserves a special place in the history books. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing in the 1960s, a hard-edged, cutting tone, and phrasing and note-bending that owed as much to blues, rock, and even country as it did to earlier, smoother bop influences.