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As the 19th century drew to a close, the age-old quest to understand the physical world appeared to be complete except for a few minor details. "It seems probable that most of the grand underlying principles have been firmly established," said Albert Michelson, the first American scientist to win a Nobel Prize. But when Michelson made that prediction, he never dreamed that one of the "details"—his own curious discovery that the speed of light is constant no matter how fast an observer is moving—would soon be explained by a revolutionary theory that redefined the very concepts of space, time, matter, and energy.

As the 19th century drew to a close, the age-old quest to understand the physical world appeared to be complete except for a few minor details. "It seems probable that most of the grand underlying principles have been firmly established," said Albert Michelson, the first American scientist to win a Nobel Prize…

Public Image Ltd (PiL) are an English post-punk band formed by vocalist John Lydon (aka Johnny Rotten), guitarist Keith Levene and bassist Jah Wobble, with frequent subsequent personnel changes. Lydon is the sole constant member of the band.

There is NO LIGHT at the end of this tunnel! BROWN ACID: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history.

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Adam Curtis has gone a bit mad. The insultingly gifted documentary maker behind The Century Of The Self and The Power Of Nightmares seemed rather quiet of late. In fact, since his 2007 BBC2 series The Trap, his only visible pieces of work were two short (and superb) mini-documentaries he created for my BBC4 series Screenwipe and Newswipe. People kept asking me what he was up to. I assumed he was chipping away at some new documentary which would be announced when he was ready.