Sacd Bruckner

Anton Bruckner - Symphony D minor "Nullte" WAB 100, 3 Pieces WAB 97, March WAB 96
Beethoven Orchester Bonn / Stefan Blunier
EAC+LOG+CUE | FLAC: 234 MB | Full Artwork: 52 MB | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1673-6 | Country/Year: Germany 2011
Genre: Classical | Style: Romantic, Orchestral

"This SACD is an essential purchase for Bruckner aficionados, as not only does it contain an eloquent performance of Bruckner’s early D minor Symphony WAB 100 (Nullte) in superb sound, but also some other rare orchestral music by the same composer. (…) Strongly recommended." 5/5 ~SA-CD.net

Anton Bruckner - Symphony D minor "Nullte" WAB 100, 3 Pieces WAB 97, March WAB 96
Beethoven Orchester Bonn / Stefan Blunier
EAC+LOG+CUE | FLAC: 234 MB | Full Artwork: 52 MB | 5% Recovery Info
Label/Cat#: MDG "Live" # 937 1673-6 | Country/Year: Germany 2011
Genre: Classical | Style: Romantic, Orchestral

"This SACD is an essential purchase for Bruckner aficionados, as not only does it contain an eloquent performance of Bruckner’s early D minor Symphony WAB 100 (Nullte) in superb sound, but also some other rare orchestral music by the same composer. (…) Strongly recommended." 5/5 ~SA-CD.net

Anton Bruckner - Symphony No. 7 in E major
Orchestre de la Suisse Romande - Marek Janowski
EAC+LOG+CUE | FLAC: 261 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Pentatone # PTC 5186 370 | Country/Year: Europe 2011
Genre: Classical | Style: Romantic

…Because Janowski and the Orchestre de la Suisse Romande have had great successes with this and the last two Bruckner symphonies, listeners in search of great performances should give them a try, and audiophiles should regard them as required listening.

Reference Recordings proudly presents this iconic work in a new and definitive interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra, in superb quality. This CD release was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra.

A wonderful reading it is, as authoritative as its predecessors and every bit as well played but somehow more profound, more humane, more lovable if that is a permissible attribute of an interpretation of this Everest among symphonies. […] It is the sense of the music being in the hearts and minds and collective unconscious of Karajan and every one of the hundred and more players that gives this performance its particular charisma and appeal.