Smetana

If you’ve not previously heard of the Sitkovetsky Trio, it’s because this is the ensemble’s recording debut. Formed in 2007 by three young musicians who met at Menuhin School in England, the group won first prize at the International Commerzbank Chamber Music Award just one year later, and then the NORDMETALL Chamber Music Award at the Mecklenburg Vorpommern Festival one year after that in 2009.

Widely regarded as Bedrich Smetana's greatest hit, The Moldau is but one part of the orchestral cycle Má Vlast (My Country), which contains six tone poems on different Czech nationalist subjects. Smetana composed these epic works in the manner of Franz Liszt's tone poems, evoking dramatic images through colorful orchestration and painting natural and historical scenes through themes and harmonies of a pronounced Bohemian character. One might suppose that only a Czech orchestra could play this music with the proper intensity, but the Malaysian Philharmonic Orchestra, under Claus Peter Flor, gives a stirring account that can rival any performance anywhere for energy, passion, and atmosphere.

Based on the recorded evidence, if you want spirited and insightful performances of eastern European romantic orchestral repertoire, Gianandrea Noseda is the conductor of choice. In his previous discs of Liszt's tone poems and Dvorák's concertos for violin and for piano, the young Italian conductor had turned in effective and affecting performances of works that get little attention from most international conductors.

In William Blake’s aphorism, “exuberance is beauty, prudence an ugly old maid courted by incapacity”. And there in a nutshell you have a literary pointer to Smetana’s engaging character. Brilliant, picturesque and nationalistic, all the music on this superb disc pays colourful tribute to “the father of Bohemian music”. Even the most familiar pages from The Bartered Bride (once mistakenly appearing in an American newspaper as The Buttered Broad) come up fresh as paint, the BBC Philharmonic’s immaculate virtuosity as musicianly and refined as it is sparkling.

Bedrich Smetana’s ‘Festive Symphony’ was composed in 1854 when hopes for Emperor Franz Joseph becoming King of Bohemia were high. The splendid sounds of Smetana’s only formal symphony pre-echo later masterpieces such as ‘Ma Vlast,’ but his use of the Austrian Imperial anthem became unacceptable in the subsequent spirit of Czech nationalism, resulting in the work’s neglect.

The Czech Philharmonic and it's Chief Conductor and Music Director Semyon Bychkov present a new recording of Bedrich Smetana's masterpiece Ma vlast (My Homeland). The album celebrates both the bicentenary of Smetana's birth and, the start of 2024's Year of Czech Music which has been celebrated every ten years since Smetana's 100th anniversary in 1924. Ma vlast (1874-1878) is a potent symbol of the Czech Republic's turbulent political history and has played an important role in the Czech national movement. Contemplating the landscape, history, and legends of Bohemia, Ma vlast is best known for it's world-famous Moldau melody.

The Czech Philharmonic and it's Chief Conductor and Music Director Semyon Bychkov present a new recording of Bedrich Smetana's masterpiece Ma vlast (My Homeland). The album celebrates both the bicentenary of Smetana's birth and, the start of 2024's Year of Czech Music which has been celebrated every ten years since Smetana's 100th anniversary in 1924. Ma vlast (1874-1878) is a potent symbol of the Czech Republic's turbulent political history and has played an important role in the Czech national movement. Contemplating the landscape, history, and legends of Bohemia, Ma vlast is best known for it's world-famous Moldau melody.