In Search of Amelia Earhart is the 1972 album by Plainsong, a band formed by country rock/folk rock musician Ian Matthews and Andy Roberts. […] Not all of the songs on the album are directly about Amelia Earhart. But the album carries that somber, mellow tone that so much great folk music of the early ’70s was in touch with. Many of the songs are about seeing and reaching for light, whether they be the light of day or the light of death. So in a way the album is more about the way people felt about, cared about and thought about Amelia Earhart and her death. That she is still considered a heroine of aviation and a distinctly American hero keeps the mystery of what happened to her in the greater cultural imagination. wikipedia
Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel." The Oxford Book of Traditional Verse felt as strongly, writing that Taylor was "one of the most literate and sensitive of contemporary songwriters in terms of words and music and one who is capable of exploring more complex subjects than most of his contemporaries." (…)
June Tabor is an acquired taste, I've noticed. For me, the first listen to her way back in the late '70s had me smitten. What still amazes me is that she will not be bound by trends; wasn't then, isn't now. Folk music has enjoyed a revival over the last couple of decades, thanks to great, vintage folk and bluegrass reissue albums in CD format, and people like Tracy Chapman, who showed us in the 90's that a single voice with a guitar can still weave a spell, Bonnie Raitt, who stuck by her passion for the blues, even while she was trying other stuff, and Bob Dylan, who still has the muse in 'im…
Collection includes: Espers (2003); The Weed Tree (2005); Espers II (2006) and Espers III (2009).
Gone are the longtime Anderson images of the vagabond/sage (the group is clad in white jumpsuits on the cover) – also gone are the historical immersion of their music and anything resembling Dickensian, much less Elizabethan sensibilities. And nearly gone was Jethro Tull itself, for A started life as an Ian Anderson solo project but ended up as a Jethro Tull release, probably for commercial reasons. The difference is probably too subtle for most people to comprehend anyway.
Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel."…
A superb Acid -Folk album, like a cross between Fairport Convention`s Sandy Denny era and Steeleye Span. Issued in 1974. Had it been 5 years earlier Contraband would surely drawn a lot of folk rock fans…