Johann Gottlieb Janitsch (1708-1763), was born in Silesia (then under Austria, but Prussia from 1742 and now part of Poland) and followed a normal career path for a musician in Mitteleuropa, culminating as contraviolonist in the Royal Orchestra of the Court of Prussia from 1736 until his death in 1763. Janitsch also composed ballet music for the Royal Court Opera), rehearsed the opera chorus, and composed music for the balls held at the opera house during carnival-time. Janitsch was also called on to participate in the intimate concerts that took place in the king’s private apartments at Sanssouci, alongside a number of instrumentalist-composers including C.Ph.E. Bach and Johann Joachim Quantz.
Marc-Antoine Charpentier (1643 – 24 February 1704) was a French composer of the Baroque era.
Exceptionally prolific and versatile, Charpentier produced compositions of the highest quality in several genres. His mastery in writing sacred vocal music, above all, was recognized and hailed by his contemporaries.
This CD contains great Australian indie/alternative music that was either financed by the bands themselves or by some of the ground breaking, risk taking small record businesses of this time.
Hush Hush is honored to present 'Parallel Worlds,' a mesmerizing collaborative effort between recent Hush Hush alums Tukico and Julian Zyklus. Tukico is an alias of Berlin-based Japanese violinist, composer, electronic producer, and Tangerine Dream member Hoshiko Yamane.
Neal Francis’ sophomore album offers up a body of work both enchanting and painfully self-aware. Recorded entirely on tape and mixed by Grammy Award-winner Dave Fridmann (Spoon, Tame Impala, Flaming Lips), the record spotlights Francis’s refined yet free-spirited piano playing, an instrument he took up at age four. The songs came to life over the course of a tumultuous year spent living in a (possibly) haunted church in Chicago. The result: a portrait of profound upheaval and weary resilience.
Saxony's Court Orchestra was for many years the working sphere of influential composers known far beyond her borders. Maria Antonia Walpurgis, wife of Friedrich Christian, Elector of Saxony was especially active during the years of her regency with generous and skillful sponsoring of the arts and artists. Works by Ferrandini, her teacher for composition, harpsichord and singing, or Porpora (teacher of Carlo Broschi, the castrato better known as Farinelli), whom she engaged as a second singing teacher at the Dresden Court, convey a lively impression of those times.