"Acting as though I were one of Bach's pupils, I imagined myself being given the following assignment in a composition lesson: 'Here is a libretto; set it to music using whatever you find in the works I wrote up until now (1731). What you do not find, compose yourself'". Ton Koopman
Published in Rome in 1553 and re-discovered during the 20th-Century, the 'Tratado de Glosas' by Spanish composer Diego Ortiz offers, through many variations called 'recercadas', an unmatched panorama of the instrumental music of its time. The reissue of this 1990 album in the Heritage series enables us to listen to one of Jordi Savall’s best accomplishments, alongside Ton Koopman and Rolf Lislevand. On various themes, including 'La Folia' and 'Doulce memoire', Diego Ortiz and Jordi Savall demonstrate their science and their spirit of invention for our greatest entertainment!
On 10th December, 1553, at one of the highpoints in the Golden Age of Spanish music, there appeared in Rome the TRATTADO DE GLOSAS SOBRE CLAUSULAS Y OTROS GENEROS DE PUNTOS EN LA MUSICA DE VIOLONES NUEVAMENTE PUESTOS EN LUZ by Diego Ortiz, who was also known under the name “el Toledano”. An inevitable reference point for the study of instrumental performance practice in the 16th century, this work is of exceptional interest, both for its purely historical significance and for its artistic value, since it contains the finest examples of the known repertoire for viola da gamba (vihuela de arco or violone) and harpsichord in the Renaissance period.
Perhaps more than any other composer, Bach’s music has the power to affect our lives. The masterpieces featured here include secular and sacred works for ensembles, soloists and choirs and express emotions from joy to sadness and peace. Artists include John Eliot Gardiner, Hélène Grimaud, David Oistrakh and many more.