A collection of previously unreleased materials by the Kenny Drew Trio, originally recorded for Japanese labels Baystate and Alpha beween 1978 and 1992, now released to commemmorate the 20th anniversary of his passing. A rich trove of superb piano trio performances!
American pianist Kenny Drew (1928-1993) moved to Copenhagen, Denmark, in 1964. Although he may have somewhat faded from the radar of American jazz fans, he had a fantastic career in Denmark and was beloved by European and Japanese jazz fans. In the late 1970s and 1980s, Drew's popularity in Japan grew to incredible heights when he began recording for Japanese labels such as Baystate and Alpha under a partnership with Japanese producer Makoto Kimata…
The release of King Crimson’s seminal 1974 album Red continues the overhaul of the progressive rock band’s catalog that also — so far anyway — includes their debut album In The Court Of The Crimson King and Lizard. As was the case with those two albums, the remastering of this album was overseen by Porcupine Tree’s Steven Wilson, along with founding member Robert Fripp. Wilson was a great choice for this task for a couple of reasons. He’s a longtime fan, and with Porcupine Tree and his other many projects, he also definitely has the necessary prog-rock credentials.
After a six-year stay at Prestige, jazz organist Shirley Scott began a lengthy run of albums on Impulse! This two-fer brings together her first two albums for the label, 1963's For Members Only and 1964's Great Scott!! Each album splits its tracks between Scott's regular trio setting (variously featuring rhythms by Earl May/Jimmy Cobb and Bob Cranshaw/Otis Finch) and arrangements written and conducted by Oliver Nelson. Scott's Hammond fits well into each setting, leading the trio with terrific energy and verve, and finding space for lower-wattage performances amid Nelson's charts.
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. A trio is helping out guitarist Johnny Smith – but, as with all of his other Roost Records of the time, the man himself is very far out in the lead – making real magic on the strings of his guitar, and playing with an effortless command of tone and color! Some moments of the record actually have a bit more of an uptempo swing than other of Johnny's albums of the period – but others are a masterpiece is gentle harmonics – those incredible notes that Smith almost seemed to invent for jazz guitar in the 50s – and which seem to come through even more beautifully in the sparest of settings. The trio features Bob Pancoast on piano, Mousie Alexander on drums, and George Roumanis on bass
Conventional wisdom, which in this case may be right, holds that Bill Evans' storied career peaked on June 25, 1961, a date that yielded two live records, Sunday at the Village Vanguard and Waltz for Debby, the final two documents of Evans' first, and best, trio, with bassist Scott LaFaro and drummer Paul Motian. In the two years he'd been playing with Evans, LaFaro had opened up new possibilities for the jazz bass, playing with a harmonically oblique, melodically flexible style that was, at the time, unprecedented. Ten days after this record was made he died, just 25 years old.
Groovy was the third album to be released by acclaimed jazz pianist Red Garland. Originally released on Prestige Records in 1957 this energetic jazz album was performed by a trio made up of Garland alongside Paul Chambers (bass) and Art Taylor (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.
The closing disc in London Baroque’s survey of the rise and fall of the trio sonata. Looking back over this eight-disc series, which opened with three Fantasias composed before 1620 by Orlando Gibbons, it becomes clear how far London Baroque has travelled. The series has taken in both staples of the repertoire and more or less unknown jewels, by composers still revered today or awaiting rediscovery.
Great Conductors of the 20th Century is a joint venture between the production and licensing expertise of IMG Artists and the international marketing and distribution clout of EMI. Sixty volumes were planned with hopes for even more. Unfortunately, though, perhaps reflecting our leaner climate for classical projects, the producers now advise that only forty will be issued.
Reissue with the latest DSD remastering. Comes with liner notes. One of Gary Peacock's rare Japanese-only albums for Columbia – really dynamic trio work that's a lot more powerful than the bassist's later sides for ECM! Gary's working here with Masabumi Kikuchi on piano and Hiroshi Murakami on drums – in a mode that's got the open-ended, long flowing energy that would emerge most strongly in Japanese trio sessions a few years later – a style that's exploratory, but never too free – and perfectly suited to the tonal colors that Peacock's always brought to his work on bass. The set is sophisticated, yet never full of itself – with a great juxtaposition of lyrical and modern moments, carved out here with a heck of a lot of power!