Bonny Light Horseman’s new album, Keep Me on Your Mind/See You Free, is an ode to the blessed mess of our humanity. Confident and generous, it is an unvarnished offering that puts every feeling and supposed flaw out in the open. The themes are stacked high and staked even higher: love and loss, hope and sorrow, community and family, change and time all permeate Bonny Light Horseman’s most vulnerable and bounteous offering to date. Yet for all of its humanistic touchpoints, Keep Me on Your Mind/See You Free was forged from a kind of unexplainable magic.
Francesco Carella aka Frenkcarella poly instrumentalist (keyboards, guitars, drums and percussion), composer, researcher in the experimentation of the Arts, actor and Anthroposophus, Giuseppe Cascarano guitarist, Giuseppe Quarta drummer. The three, after years and various musical experiences behind them, met in Lecce at the beginning of 2015 and after a month I Viaggi di Madeleine was born. Who is Madaleine? "Madeleine represents the adolescent soul who, despite all the rottenness, resists trying to remain intact". In May 2015, the first studio work, a demo of 4 songs recorded live at SUM_Km 97 (Lecce), immediately after the first concerts arrive, a mini tour of 5 dates and in August they open the Med Festival of San Marzano ( TA).
By the time that Alessandro Scarlatti was writing the two serenatas recorded here by Fabio Bonizzoni and La Risonanza and inaugurating an exciting new series on Glossa, that celebratory cantata form, often employing allegorical characters, had been in existence for a mere half century. Scarlatti, as Bonizzoni says, “was one of the main sources of inspiration for Handel whilst the latter was in Italy, and this creates a real continuity with what we have been doing in the recent past”; notably the much-admired septet of recordings devoted to the Saxon composers Italian chamber cantatas.
… Portions of the music included may remind listeners of very early classical music such as Gregorian chant, whereas other pieces will certainly cause an astonished reaction as they sound unlike any other music recorded. Some is sparse, floating, the melodic ideas developing very slowly. A few of the old-world Greek percussion instruments wind up sounding quite a bit like new-world electronic music.
As part of the Royal Academy of Music Bicentenary Series, lyric soprano Camilla Harris makes her recording debut with a programme which interweaves the themes of love, longing and the female muse. Taking Rachmaninov’s melancholic Six Songs, Op. 38 – inspired by the composer’s duo partner and lover, soprano Nina Koshetz – as the initial catalyst, Camilla performs four settings by Liszt on the poetry of Victor Hugo, each redolent of love and longing and with several allusions to a female muse; she also treats us to two little gems: Chère nuit by the French post-Romantic composer Alfred Bachelet and Grieg’s irresistible ‘Ein Traum’ from Sechs Lieder, Op. 48. In 2022, four exceptional recipients of the Academy’s 2020/21 Bicentenary Scholarships scheme – Julie Park, Camilla Harris, Ossian Huskinson and Charlie Lovell-Jones – will each release a new album to coincide with the Royal Academy of Music Bicentenary celebrations.
He was born in Cologne, but it was in Paris that Jacques Offenbach achieved fame. A special feature of this 30-CD collection are star-studded recordings in both French and German of his most celebrated operettas – works that overflow with joie de vivre and satirical wit – and of Les Contes d’Hoffmann, an opera that daringly fuses fantasy, comedy and tragedy. It also includes irresistibly stylish performances of such tempting rarities as Les Brigands, Pomme d’Api, Monsieur Choufleuri and Mesdames de la Halle.
Bonny Light Horseman’s new album, Keep Me on Your Mind/See You Free, is an ode to the blessed mess of our humanity. Confident and generous, it is an unvarnished offering that puts every feeling and supposed flaw out in the open. The themes are stacked high and staked even higher: love and loss, hope and sorrow, community and family, change and time all permeate Bonny Light Horseman’s most vulnerable and bounteous offering to date. Yet for all of its humanistic touchpoints, Keep Me on Your Mind/See You Free was forged from a kind of unexplainable magic.
In 1739 William Boyce (1711-1779) composed his 'Ode for St. Cecelia's Day' to a text by his friend, the amateur poet, John Lockman. In writing this ode Boyce followed in the footsteps of his two chief teachers, Maurice Greene and Johann Pepusch who also wrote music in St. Cecelia's honor. However, his music is more reminiscent of Handel which is not surprising, since while the much younger Boyce was becoming prominent in London's lively music scene, Handel was the most celebrated composer of the time anywhere.
Sometimes, not often but sometimes, a little Saint-Saëns is just the thing. When you're in the right mood, his attractive melodies, piquant harmonies, brilliant colors, graceful tempos, and reserved emotionalism can be rather appealing. When you find yourself in that mood, this disc of Saint-Saëns' works for cello and orchestra will be the ideal aural companion.