After her triumph with the album Offenbach Colorature (ALPHA437), Jodie Devos has chosen to follow in the footsteps of one of her compatriots, the Belgian coloratura soprano Marie Cabel (1827 -1885), who at the age of twenty-six scored a phenomenal success in Adolphe Adam’s opéra-comique Le Bijou perdu , which she premiered in Paris. She then took on a more dramatic role in Halévy’s Jaguarita l’Indienne , whose great Invocation with chorus (‘À moi ma cohorte!’) again hit the bullseye in a run of 124 performances over just a few months. Cabel enjoyed one hit after another, in Auber’s Manon Lescaut and La Part du diable , Meyerbeer’s L’Étoile du Nord and Le Pardon de Ploërmel , Victor Massé’s Galathée , and Le Songe d’une nuit d’été by Ambroise Thomas, who in 1866 gave her the biggest role of her career: Philine in Mignon , based on Goethe. In partnership with the musicologists of the Palazzetto Bru Zane, who have resurrected and edited all these unjustly forgotten rarities, and Pierre Bleuse conducting the Brussels Philharmonic and the Flemish Radio Choir, Jodie Devos pays tribute to this star of the nineteenth century, whose audacity and sense of mischief she undoubtedly shares!
Marie Jaëll probably represents the most authoritative and accomplished expression of the nineteenth century woman musician. In spite of her coming from the provinces and despite the heavy social restrictions imposed on artists of her gender, she nonetheless succeeded in being recognized as a virtuoso, a composer and as a teacher. Support from her husband – the Austrian pianist Alfred Jaëll – greatly contributed to the positive reception of her initial works for the piano, but it was by herself, armed with her talent and her resolve in the latter part of her life, that she faced up to the Parisian hurly-burly in which she proved herself to be one of its distinctive figures.
With their new album "Chansons sans paroles", the young brass ensemble "Salaputia Brass" takes us through the history of French chanson. From the Renaissance madrigal to the present day, almost every era is represented. New arrangements specially tailored for the ensemble allow these works to be heard in a completely new tonal brilliance. Due to the expressiveness of the brass instruments and their tonal proximity to the human voice, the music speaks volumes, even without the words.
French singer-songwriter who mixes jazzy styles, French variety, soul and acoustic. She is famous for her hit "Je veux", from her first album, Zaz, released on 10 May 2010…