‘Whatever meaning my life has is to be found in the music itself’, declared William Schuman of his extraordinary career as a composer and artistic catalyst in the fertile and evolving environment of 20th-century America. His single-movement Symphony No. 6 stands as one of his most intense and integrated, its somberness enlivened with intricate rhythms and startling counterpoint. Prayer in a Time of War and New England Triptych highlight Schuman’s abiding sense of patriotism, the former written soon after America’s entry into World War II, the latter based on hymns from the time of the American Revolution.
Tug of War is the third solo studio album by English rock musician Paul McCartney, released in 1982. It is the follow-up to the 1980 album McCartney II, and his first official solo album after the dissolution of Wings in April 1981. The recording sessions for the album reunited McCartney with producer George Martin. Tug of War was also McCartney's first album after the death of his former Beatles bandmate John Lennon.
As a history teacher, I am constantly on the lookout for music that can help to bring the past alive. This CD does a wonderful job for both the American Revolution and the Civil War. While the country twang of some of these pieces may jar young sensibilities, students quickly warm to the authentic verve of the performances. The Revolutionary period includes such chestnuts as the "Riddle Song" (and actually omits "Yankee Doodle"), but also some jokes of the period, including a hysterical folk version of a taming of a shrew. The Civil War period is split between northern and southern songs. There are the standards "When Johnny Comes Marching Home" and "Dixie," but also more obscure songs like "Lincoln and Liberty" and "Goober Peas." All in all, a great tool, especially for the price. (Quote from Amazon reviewer)
Peter Stampfel and Steve Weber obviously loved American folk music as much as any of the kids who had their head turned around by Harry Smith's Anthology of American Folk Music in the 1950s, but unlike the many musicians who paid tribute to America's musical past by trying to re-create it as closely as possible, as The Holy Modal Rounders Stampfel and Weber opted to drag the music into the present, shrieking and giggling all the way.
On their new album, The Playfords present songs and music from the time of the Thirty Years War (1618-1648). All the pieces are arranged by the set for voices, recorders, stringed instruments as well as percussion. The varied repertoire of the recording includes instrumental pieces by the English composer Tobias Hume, intimate songs by Heinrich Schütz and a dance Courant Dolorosa by Samuel Scheidt. Various songs that were printed at the time on pamphlets and sold thousands of times are also to be discovered. Ballads, folk songs and hymns refer to war heroes, sadness and sorrow caused by war, but also to hope and peace.
The Great War was the first major conflict to generate an outpouring of creative work from those who either fought on the battlefields, or were somehow deeply affected by it, including writers, painters and musicians. Almost unwittingly, they became commentators for their age, and changed society’s conception of what war meant. Charles Villiers Stanford alone taught numerous composers affected by the war, including Charles Wood, Henry Walford Davies, George Dyson, Gustav Holst and Ivor Gurney, all featured on this recording, and others, including George Butterworth and Cecil Coles, who were among those killed in action, their music silenced at a tragically young age.
40 years of Sodom, 40 years of ruthless thrash metal 'Made in Germany'. What came into being in 1982 in Gelsenkirchen-Buer has lost nothing of its authenticity and rawness, not even four decades later. Tom Angelripper and his men still belong to the spearhead of a music style that draws its energy from pure determination, intransigence and relentlessness. What's more, Sodom never fail to surprise their fans all over the world. They managed especially well with '40 Years At War - The Greatest Hell Of Sodom', a more than worthy anniversary album that - in various formats - sums up the band`s history in an unusual and highly ambitious way. "Our goal was to re-record one song from each of our previous albums," Tom explains. "Not necessarily the most obvious ones, we wanted to go for rarities or tracks we've never or very rarely played live…