Mission accomplished, with The Soul Of The King making a bracing return to some of King's greatest cuts. There's a heartfelt turn from Michael Lee on The Thrill Is Gone. Mary Griffin and Taj Mahal combine their vocal and guitar talents on Paying The Cost To Be The Boss. Kenny Neal lends poignant vocals and licks to Sweet Little Angel. 'Recording with the different artists and the band was an enlightening experience,' reflects Harvey. 'Everyone came in prepared, but when Mary Griffin came to record, she came in all bubbly - and nailed her vocals in two takes.'
Here‘s a shot of some of the leanest, cleanest and meanest guitar licks by one of the finest purvevors of the Texas-Blues tradition currently in practice. Kenny “Blue“ Ray evokes thespirit of the Kings, Albert Collins and T-Bone while forging his own identity as a player ofconsiderable chops and taste.
…Keith Hartley was born in Preston, Lancashire. His career began as the replacement for Ringo Starr as a drummer for Rory Storm and the Hurricanes, a Liverpool-based band. Subsequently he played and recorded with The Artwoods, then achieved some notability as John Mayall's drummer. He then formed The Keef Hartley (Big) Band, mixing elements of jazz, blues, and rock and roll; the group played at Woodstock in 1969. They released five albums, including Halfbreed and The Battle of North West Six (characterised by a reviewer for the Vancouver Sun as "an amazing display of virtuosity"). After that Hartley released a 'solo' album (Lancashire Hustler, 1973) and then he formed Dog Soldier with Miller Anderson (guitar), Paul Bliss (bass), Derek Griffiths (guitar) and Mel Simpson (keyboards)…
Tom Principato has spent the last 40 years as a guitarist and singer based in his hometown of Washington, D.C. In the 1970's, Tom was leader of the legendary band Powerhouse, an East Coast phenomenom. He has toured nationally around the U.S., Canada, and Europe, but often the venues are clubs. His particular blend of blues-rock is highly specific; jazz guitar master Pat Metheny said of Principato, "He has an enormous talent at telling stories in his solos; he doesn't play 'standard' licks." Tom also did a one year stint with Geoff Muldaur and recorded an album "I Ain't Drunk" with the band Geoff Muldaur and His Bad Feet members of which included Andy Stein, Mark Kazanoff and Sarah Brown. Tom has also done brief stints with various acts including Billy Price And The Keystone Rhythm Band, Big Mama Thornton, Johnny Adams, Sunnyland Slim, James Montgomery, and a group called the Assassins with Jimmy Thackery, former guitarist with the Nighthawks and many more. Principato has recorded more than twenty albums over the years.
Gary Moore's tribute to Fleetwood Mac guitarist Peter Green, Blues for Greeny, is more of a showcase for Moore's skills than Green's songwriting. After all, Green was more famous for his technique than his writing. Consequently, Moore uses Green's songs as a starting point, taking them into new territory with his own style. And Moore positively burns throughout Blues for Greeny, tearing off licks with ferocious intensity. If anything, the album proves that Moore is at his best when interpreting other people's material – it easily ranks as one of his finest albums.
" This long awaited album was recorded in Atlanta, GA in September, 2011. Twelve original compositions including four solo numbers by Little G Weevil and the rest with the band that is absolutely on fire…..
Stone the Crows was a tough-luck, working class, progressive soul band that came out of the pubs of Scotland in the early '70s. They had everything going for them at the start: not one, but two gritty singers, a talented guitarist, a rhythm section that had played with John Mayall, and the name recognition of having Led Zeppelin manager Peter Grant as their producer. Despite favorable reviews by the critics, however, they never managed to sell their hybridized soul music to a large audience. In addition, they lost two of their key members early on, one of whom was tragically electrocuted, and the group broke up after four albums. Their biggest contribution to rock was the immense vocal talent of one Maggie Bell. Winner of several Top Girl Singer awards in Britain, Bell had a raunchy, gutbucket voice that, although it fell short of the naked emotion and range of Janis Joplin's, came probably closer to her style than any other female singer.