John Taylor

Floyd Jones & Eddie Taylor - Masters of Modern Blues (1994)  Music

Posted by countryfreak at Dec. 5, 2011
Floyd Jones & Eddie Taylor - Masters of Modern Blues (1994)

Floyd Jones & Eddie Taylor - Masters of Modern Blues (1994)
EAC Rip | FLAC (Image) + CUE + LOG | Covers | 306 MBs
Genre: Blues/R&B/Electric Chicago-Blues | Label: Testament | Catalog Number: 5001 | Release Date: 1994
Recording Date: Jun 1966 | RAR 5% Rec. | Rapidshare + Filesonic

Eight priceless 1966 tracks by tragically underrecorded guitarist Floyd Jones are paired for this CD with eight more by sessionmate Eddie Taylor. Produced in both cases by Testament boss Pete Welding with Big Walter Horton on harp, pianist Otis Spann, and drummer Fred Below lending their collective hands, Jones re-creates his dour, uncompromising "Dark Road," "Hard Times," and "Stockyard Blues" with an early-'50s sense of purpose.–by Bill Dahl

Ted Taylor - Keep Walking On (2021) [Official Digital Download 24/96]  Vinyl & HR

Posted by pyatak at March 5, 2021
Ted Taylor - Keep Walking On (2021) [Official Digital Download 24/96]

Ted Taylor - Keep Walking On (2021) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 44:18 minutes | 807 MB
Blues | Label: Jewel Records, Official Digital Download

Jewel Record's releases this high-resolution digital release of the Ted Taylor's Keep Walking On. Jewel Records was an American independent record label, founded in 1963 by Stan Lewis and based in Shreveport, Louisiana.

Taylor Hawkins & The Coattail Riders - Get The Money (2019)  Music

Posted by Fizzpop at Nov. 7, 2019
Taylor Hawkins & The Coattail Riders - Get The Money (2019)

Taylor Hawkins & The Coattail Riders - Get The Money (2019)
WEB FLAC (Tracks) 281 MB | Cover | 40:24 | MP3 CBR 320 kbps | 92 MB
Rock | Label: RCA Records Label

Produced by John Lousteau and Taylor himself, and mixed by Sylvia Massy, Get The Money follows Taylor’s 2016 six-song mini-LP KOTA by three years almost to the day, and features a scope far wider than KOTA’s takes on suburbia’s bizarro underbelly. The new album finds Taylor and Coattail Riders Chris Chaney, Brent Woods and John Lousteau accompanied by an all-star supporting cast including Taylor’s fellow Foo Fighters Dave Grohl and Pat Smear, Roger Taylor, Joe Walsh, Duff McKagan, Nancy Wilson, Chrissie Hynde, Perry Farrell, LeAnn Rimes and more, collectively creating a staggering, epic sprawl that swerves from classic rock to prog and glam and all points between.
John Mayall & The Bluesbreakers - Crusade (+10) [SHM-CD Japan] (2008) "Reload"

John Mayall & The Bluesbreakers - Crusade (+10) [SHM-CD Japan] (2008)
1CD | EAC-Rip | FLAC-image +cue +log +Booklet/SCANS | Original Release: 1967 | 506,01 Mb
Genre: Blues | RAR 3% Rec. | Label: Universal UICY-93405
Hotfile, Turbobit, Sharingmatrix, Fileserve

The final album of an (unintentional) trilogy, Crusade is most notable for the appearance of a very young, pre- Rolling Stones Mick Taylor on lead guitar. Taylor's performance is indeed the highlight, just as Eric Clapton and Peter Green's playing was on the previous album. The centrepiece of the album is a beautiful instrumental by Taylor titled "Snowy Wood," which, while wholly original, seems to combine both Green and Clapton's influence with great style and sensibility. The rest of the record, while very enjoyable, is standard blues rock fare of the day, but somewhat behind the then-progressive flavour of the period 1967. Mayall, while being one of the great bandleaders of London, simply wasn't really the frontman that the group needed so desperately, especially then. Nevertheless, Crusade is important listening for Mick Taylor aficionados. –Matthew Greenwald, All Music Guide

John Coltrane - Lush Life (1958) [DCC Gold GZS-1108]  Music

Posted by Sartre at Oct. 30, 2013
John Coltrane - Lush Life (1958) [DCC Gold GZS-1108]

John Coltrane - Lush Life (1958) [DCC Gold GZS-1108]
Jazz | Lossless Wavpack ISO+Log+Cue -> 185MB | Full Covers | EAC Rip | Uploaded/1Fichier

Lush Life (1958) is among John Coltrane's best endeavors on the Prestige label. One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material. Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass), and Art Taylor (drums). This DCC Gold CD was mastered by Steve Hoffman.
John Coltrane - Coltrane Time (1958) {LIBERTY, CP32-5189, Japan Early Press, Black Triangle}

John Coltrane - Coltrane Time (1958) {LIBERTY, CP32-5189, Japan Early Press, Black Triangle}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 220 Mb | MP3 @320 -> 80 Mb
Full Artwork @ 300 dpi (png) -> 44 Mb | 5% repair rar
© 1958, 1986 Liberty / Toshiba-EMI | CP32-5189
Jazz / Avant-Garde Jazz / Hard Bop / Saxophone

This is a most unusual LP due to the inclusion of Cecil Taylor on piano. Although Taylor and John Coltrane got along well, trumpeter Kenny Dorham (who is also on this quintet date) hated the avant-garde pianist's playing and was clearly bothered by Taylor's dissonant comping behind his solos. With bassist Chuck Israels and drummer Louis Hayes doing their best to ignore the discord, the group manages to perform two blues and two standards with Dorham playing strictly bop, Taylor coming up with fairly free abstractions, and Coltrane sounding somewhere in between. The results are unintentionally fascinating.

Carla Olson & Mick Taylor - Too Hot For Snakes plus  Music

Posted by SteveJobs at Dec. 25, 2009
Carla Olson & Mick Taylor - Too Hot For Snakes plus

Carla Olson & Mick Taylor - Too Hot For Snakes plus (2008)
XLD Rip | Flac (Tracks-25) Cue, Log, m3u, md5, st5, ffp | complete Artwork 300 dpi | 1 GB
Rock, Blues | 2008 | Collector's Choice Music | CCM-925

L.A. roots-rocker Olson and British blues-rock guitarist Taylor made a powerful pair. This live album, recorded at the Roxy in Los Angeles in 1990, was their debut, waxed with a hand-picked band that had rehearsed for a week and played only one warm-up gig. It's a sign of the players' quality that the group sounds like a well-oiled road unit, with Olson's powerful, earthy vocals backed by a solid rhythm section of Rick Hemmert on drums and Jesse Sublett on bass, and sparked throughout by Taylor's brilliant electric guitar. Released in 1991 under this title in the U.S. and as "Live" in Europe, this two-CD reissue adds a Taylor-sung cover of Fred McDowell's "You Gotta Move," previously released in Japan, and an entire second disc of studio tracks picked from Olson's subsequent collaborations with Taylor.

Taylor's Universe - Almost Perfected (2017) {Marvel Of Beauty}  Music

Posted by TestTickles at Sept. 6, 2021
Taylor's Universe - Almost Perfected (2017) {Marvel Of Beauty}

Taylor's Universe - Almost Perfected (2017) {Marvel Of Beauty}
MP3 CBR 320kbps | RAR | 109 mb
Genre: jazz rock, art rock

Almost Perfected is the 2017 album by Danish experimental jazz/rock fusion combo Taylor's Universe. This was released by Marvel Of Beauty.
John Coltrane - Blue Train + Traneing In + Dakar (1957) 3LP in 2CD Edition 2010

John Coltrane - Blue Train + Traneing In + Dakar (1957) 3LP in 2CD Edition 2010
EAC | FLAC | Tracks (Cue&Log) ~ 612 Mb | Mp3 (CBR320) ~ 273 Mb | Scans ~ 63 Mb
Hard Bop, Modal Jazz | Label: Not Now Music | # NOT2CD291 | Time: 01:59:49

John William Coltrane is today recognised as one of the most influential figures in the history of Jazz. This digitally re-mastered compilation features three original albums "Blue Train", "Traneing In" and "Dakar". They are all featured in their original running orders.

James Taylor - Get Organized (1989) {Verve}  Music

Posted by tiburon at Feb. 1, 2018
James Taylor - Get Organized (1989) {Verve}

James Taylor - Get Organized (1989) {Verve}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 328MB + 5% Recovery
MP3 CBR 320 Kbps | 113MB + 5% Recovery
Genre: Jazz-Funk

On this, their fourth studio album, you are treated to the unexpected missing link between James Taylor Quartet's early mod-cum-spy theme sound and the later polished acid jazz feel (which carried the band through to be the respected pioneer figures they are today) without sounding exactly like either of them. Having landed themselves with the big-budget U.K. label Polydor, James Taylor found he could indulge himself with the best in big jazz-funk sounds, employing what sounded suspiciously like more than a "quartet" to produce a collection of bold and brassy numbers that escalated the sounds of Johnny Hammond and Booker T into the late '80s. The album begins as it finishes, with a touching yet relentless jazz-rock instrumental groove combining clever chord structures and strong piano flourishes gliding over, of course, Taylor's trademark whirring Hammond organ.