Trio His

In the autumn of 1851 Schumann composed, in rapid succession, the two violin sonatas and, in the space of just seven days from 2 to 9 October, the Piano Trio no.3, Op.110. As always during his work, Schumann was oblivious to everything around him, neglected social obligations, and isolated himself – even from Clara. ‘Robert is working very assiduously on a trio for piano, violin, and cello,’ she confided to her diary, ‘but he won’t let me hear anything of it until he has quite finished it – all I know is that it’s in G minor.’

Like a good wine, good music must also mature. Consciously or unconsciously, Trio Parnassus which was formed in 1982 has followed this maxim in the course of its almost 20-year history. Perfection, love of detail, a keen feeling for moods, and a taste for discovery is what distinguishes Yamei Yu {violin), Michael Gross (cello) and Chia Chou (piano). The reaction of the public and the critics was correspondingly enthusiastic in 1996 at the New York debut in the Great Performers Series at the Lincoln Center, in 1997 at the Masters Series at the London Wigmore Hall, and in 1999 at the National Gallery’s Chamber Music Series in Washington.

Since moving to the United States from her native Japan in 1995, Eri Yamamoto has established herself as one of jazz's most original and compelling pianists and composers in crossing contemporary, progressive, and modern creative subgenres. The root of her sound is a highly personal lyricism that expresses itself most poignantly in improvisation.

With the three piano trios published in 1795, Op. 1, Ludwig van Beethoven took a genre still largely associated with salon music and raised it up to rival the string quartet. In these works, Beethoven saw the true start of his creative journey.