浮世击 Yellow

Captain Beefheart - Safe As Milk: 50th Anniversary Deluxe Edition - Fan Made Project - Not For Sale! (2017) {Ass Blaster AB020 rec 1966-1967}
EAC rip (secure mode) | FLAC+CUE+LOG -> 692 Mb | MP3 @320 -> 339 Mb
Full Artwork @ 600 dpi (jpg) -> 36 Mb | 5% repair rar
© 1966-67, 2017 Ass Blaster Records | AB020
Rock / Experimental Rock / Blues Rock / Psychedelic

Fan Made Release - Not For Sale! Mono LP transfered & mastered by Prof Stoned. Mindblowing music from Captain Beefheart & The Magic Band – a record that's got plenty of garagey grit at the core, but which also has a heady freak rock vibe overall! The 1967 album really captures this perfect moment – one when so many artists like Don Van Vliet had their feet in older rockish modes, but were really tripping out with new ideas – able to get nice and freaky in the course of a short tune, yet still never lose a groove that really helped send the music home! In other words, there's nothing too hippieish about the record, and nothing that's ever too self-indulgent – yet the blend of organ, guitar, and drums is completely mindblowing – and as revolutionary today as it was back then.

From the weird name, as well as song titles like "Yellow Cave Woman" and "Plastic Man," you'd expect something a little more interesting than routine late-'60s British psychedelia. However, that's what you get on this rarity, from a group which gave more prominence to heavy organ riffs than the typical outfit of the era…

Various Artists - Real Life Permanent Dreams: A Cornucopia of British Psychedlia 1965-1970 (2007) {4CD Castle Music CMXBX1239}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.52 Gb | MP3 @320 -> 732 Mb
Full Artwork @ 600 dpi (jpg) -> 116 Mb | 5% repair rar
© 1965-70, 2007 Sanctuary Records / Castle Music | CMXBX1239
Rock / British Psychedelia / Psychedelic Rock / Psychedelic Pop

There have been previous attempts to marshal a lot of British psychedelia into one compilation, but Real Life Permanent Dreams is a little different from those. This four-CD, 99-song box set isn't a best-of, but more like an attempt to assemble a very wide (though still representative) cross section of material, most of it pretty obscure to the average listener. For the most part, it succeeds in delivering a high-quality anthology that manages to offer a lot to both the collector and the less intense psychedelic fan, though it's by no means the cream of British psychedelia.

Gold & Grey represents the end of Baroness' color-schemed album titles, preceded by Red Album, Blue Record, Yellow & Green, and Purple. The now-Philadelphia-based quartet have been through major changes, from magazine covers and award nominations to a horrific life-threatening bus crash that caused the original rhythm section to leave, and the 2018 departure of founding guitarist Peter Adams, vocalist/guitarist John Baizley is the only original member. Bassist Nick Jost and drummer Sebastian Thomson were on board for Purple, but new guitarist/backing vocalist Gina Gleason (Santana, Smashing Pumpkins) makes her studio debut with Baroness here.

Frank Zappa - One Shot Deal (2008) {Zappa Records ZR 20007 rec 1972-1981}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 360 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (jpg) -> 41 Mb | 5% repair rar
© 1972-81, 2008 Zappa Records / ZFT | ZR 20007
Rock / Experimental Rock / Avant-Garde / Art Rock / Jazz Rock

Official Release #83. At the time of Frank Zappa's passing in late 1993, he left a number of projects in varying stages of completeness. Some of these had gotten no further than the so-called "build-reel" stage. It was at this preliminary phase that the artist had done little more than set aside various and sundry audio on the back-burner in his Utility Muffin Research Kitchen home studio. One Shot Deal (2008) is a single-CD compilation taken from a number of disparate sources – including a pair of tunes from Zappa's "build reels." As the set's co-producer Gail Zappa explains in her inimitable style in the brief liner notes essay "…the guitar was the main element for me…." With that as an unofficial mandate, the 5-plus minutes – which cover the meaty nine-year span of 1972 to 1981 – is undeniably fret-centric.