In the days before punk rock, Kursaal Flyers straddled the line separating pub rock and power pop. The line was so thin it would seem to disappear in the rearview mirror, but when Kursaal Flyers were active in the mid-'70s, they were subtly pulled in two different directions. They'd tour on the same circuit as their friends Dr. Feelgood, but they also signed to Jonathan King's company in 1975, then worked with pop impresario Mike Batt after singing to CBS for The Golden Mile in 1976. Batt gave "Little Does She Know" a grandiose arrangement designed to conjure memories of Phil Spector, and it was enough for the single to crack the U.K. Top 20; however, instead of being their breakthrough, it was their only hit.
Brainfeeder kingpin Flying Lotus has a talent for stargazing. The label's ranks include jazz fusionists (Thundercat, Austin Peralta), psych-rap futurists (Samiyam, Teebs), and the endearingly inscrutable (Matthewdavid) existing together in dazzling constellation. But when Baths signed to Anticon, Brainfeeder lost their experimental pop artist, the kind of producer who could marry head-swiveling beats to ghostly vocals.
Consider that niche filled. Lapalux, aka Stuart Howard, makes a similar type of sparkling deconstructed pop. He fits the Brainfeeder aesthetic perfectly, as he likes to envision his songs as aural paintings– a visual tie-in obviously appealing to a synaesthete like FlyLo. Lapalux's snares first started snapping on his remix of Thundercat's "For Love I Come"…
Ringo's summer All Starr tours with his All-Starr Band continue to be 'can't-miss' events year-after-year. Ringo And The All Starr's Live 2006 is from the legendary Beatles drummer and it features one of his most eclectic back-up bands yet. Comprised of Billy Squier, Edgar Winter, Richard Marx, Sheila E. and Rod Argent, the 2006 version of the All Starr's proved to be not just a great band but also a very versatile unit…
After his solo albums “Dance of the Underclass” and “In The Backstreets of Paradiese”, the long out of print album “Saturday Johnny & Jimmy The Rat” is finally released. After his folk-punk era with Roaring Jack and his solo albums, still at home in Australia, Alistair Hulett wanted to express his connection to the rich traditional music of Britain and Ireland.
This is a tremendous live performance by one of the most criminally underrated bands in rock history! If you are already a fan of Pretty Maids, you know how they are dedicated to deliver top shelf songs and performances on every release…..after all, their motto is "Anything Worth Doing Is Worth Overdoing," right?…
Serving to embrace the floral heavens of British pop, this ceremonious edition combines the first ten prized volumes of the acclaimed Piccadilly Sunshine series. Celebrating the obscured artefacts of illustrious noise that emerged from the Great British psychedelic era and beyond, it is the essential guide to the quintessential sound of candy-coloured pop from a bygone age Pop is NOT a dirty word!
‘Virus’ is the culmination of a musical thought experiment which started with the ‘Vector’ writing sessions in 2017 and holds intriguing potential for the band’s future, as vocalist Ross Jennings explains, “whilst ‘Virus’ can absolutely be enjoyed as a stand-alone work, it is thematically and conceptually linked with ‘Vector’, so our intention is to perform both albums back to back for a special performance someday”.