Nils Frahm

„The grass is greener on the other side“ scheint der künstlerische Leitspruch von dem österreichischen Ausnahmetrompeter aus Berlin - Richard Koch - zu sein. Dabei wohnt er streng genommen gar nicht mehr in Berlin, sondern ist im letzten Winter ins Umland in eine Brandenburgische Landkommune – 40 km von der Hauptstadt entfernt - gezogen. Doch zum Musizieren zieht es ihn nach wie vor in die Stadt, wo er u.a. mit Nils Frahm, Jimi Tenor, Peter Fox oder den Beatsteaks Platten aufnimmt und Konzerte bestreitet. Insofern passt es, dass er das zweite Studio-Album seines Quartetts, das am 06.11.2020 bei XJAZZ Music erscheint, „Stadt“ genannt hat. Sein Debütalbum in der Funktion als Bandleader aus dem Jahre 2018 nannte er „Wald“, komponiert wurde es aber auf der niederländischen Insel Vlieland und Koch reiste mit dem Album im Gepäck schließlich bis nach Athen.

"I feel like 'Home' is a second part of the same book, that the start was in 'Esja', a musical prelude to a real plot. I feel Home is a story with an ending, so the next book can tell a totally different one. I am constantly looking for new ways of expression. I am curious where 'Home' will lead me and my music". — Hania Rani

While Chantal's three previous solo albums were immaculately produced by two luminaries of the so-called "post-classical" scene (Nils Frahm, Peter Broderick and Phill Brown respectively), Saturday Moon is a more feral child and is all the stronger for it. The album spins and turns and upends preconceptions throughout its length. There are sonic surprises like Alan from Low's guitar synth on "Disappear," a song that ends in a tornado of electricity and also features backing vocals from Low bandmate Mimi. Atmospheric guitar legend Bill Frisell delicately converses with two tracks. Shahzad Ismaily of Tom Waits and Marc Ribot fame plays haunted six string fractures on one of the album's darkest songs "Conflict of Minds", together with Borgar Magnason (Sigur Rós, Björk). There are eighteen musicians in total on the album. Strings, horns, contrabass and piano are also woven into the kaleidoscopic, eclectic mesh. It is a human-all-too-human balance of things. Clarity and randomness. Anger and elation. Loss and awakening. The personal and the communal.

"Acoustic Tales", the release on Fluid Audio by Field Rotation, is more of a trip to another country than it is an album. Where albums are generally collections of songs, this release is comprised of territories, each vast in scope - rolling hills, panoramic horizons and acres of fields. Each track is a full day in this wilderness - traversing hillsides, rivers and embankments, up hill and down dale. Each trip is undertaken differently, with the sun in the sky throwing different angles of light and illuminating hidden aspects of the terrain. Christoph Berg built this world throughout a two-year period, with the stated aim of integrating the literary traits of Kafka and Hemingway into an auditory form, seamlessly blending cinematic character with a subtle and mature melodic personality…